We sought to make the existing church breathe, in the sense that there should be greater visibility and connection between spaces, between inside and outside and material choices could be made for the renovated exterior that literally breathe  The material and tectonic integrity of a barn, which was a kind of model for the shape of the existing church and part of the context for its rural setting, served as a renewed inspiration for future work.

The spiraling geometric order of the chapel is suggested on the exterior of the chapel at the window openings in that the widths of the windows become narrower as they approach the north end of the building. The chapel is clad in a taut skin of tongue and groove vertical grain western red cedar with the east and west walls canting outward, allowing rain water to fall freely past the building. The lines of the structure continue to spiral around from east wall to ceiling to west wall to floor, like a string wrapping the space. “Spiral” comes from the Latin, “spirare” or spirit—a figure that is always expanding and contracting like breath.  The spiraling geometry locate structure, windows, acoustical fins and the herringbone floor pattern.